Friday, September 11, 2009

Friday Fun: Make Someone Happy

You know what we're going to do for fun today? Nope. Not a game. Not a doodle. We'll get back to that next Friday.

Today, we're going to make someone happy.

Step one: Think about someone you haven't talked to in a while -- someone special.
Step two: Send happy thoughts to your someone.

I'll start. I'm sending happy thoughts to Amber.
And to you.

Thursday, September 10, 2009

Creativity Tips: Think Little

I was just watching the Sex and the City movie, and Carrie Bradshaw wrote:

Love.

Then, she edited. And wrote:

Love ...

A little thing. Turn a period into an ellipsis. But what a difference it makes -- in meaning, in intent, in possibility. A period stops us. An ellipsis lets us go.

Today, change one little thing. The way you greet people, the route you take on your daily walk, the time of day you make that routine call home. It's your choice to make. And you never know where one change can lead ...

Wednesday, September 9, 2009

Creative Query: Let Me Utilize You

Can anyone give me one good reason why apparently articulate people would use utilize instead of use? Why are we making up longer words when we have perfectly wonderful short words to use?

Tuesday, September 8, 2009

The Road to Plagiarism

Last week, I ran a guest column, something I've rarely done on the CI blog. The essence of that column -- and many of the exact words -- first appeared on Smoke and Meers, a blog by KC advertising leader Sam Meers. Unfortunately, Sam was not the author who submitted the column to me, nor did he receive writing credit.

There's only one word for it, plagiarism. Let me make this crystal clear: Plagiarism, in any form, is wrong. Good intentions are no excuse.

I have known the man who submitted the column for years, and have never had any reason to doubt his talent or integrity. He read Sam's column and used it as inspiration, adding his own true experiences. He included Sam's word-for-word pay-off paragraph on balance -- which he originally attributed to Sam. Unfortunately, he deleted that attribution line before sending me the copy.

In his words: I thought I had tweaked it and changed it up enough to fit our order of events that I -- when trying to shorten my version -- deleted that attribution line. I ovbiously never went back and compared it with the original.

He was wrong. He has apologized to me. He will apologize to Sam. I sincerely apologize to Sam, and to you.

So, what have we learned?
  1. Inspiration is good. Plagiarism is bad.
    When I talk about "stealing" ideas, I am talking about taking something as inspiration and making it your own. For example, my friend Linda wrote a sestina. I am taking that idea, and the words you provided, and writing a sestina. The idea came from Linda. The six end words came from you. The poem will be mine.
  2. Think before you hit "send."
    My first reaction to Sam's email informing me of this unfortunate situation was an inappropriate, knee-jerk, "how dare you think I would plagiarize copy" response. The immediacy of electronic media is dangerous. As my brother's old poster used to say, "Make sure brain is engaged before putting mouth in gear."
  3. Ask for help.
    I asked two valued members of my creative team for help. I sent them the materials, and my suggested response, considered their input and changed my copy. Thank you for always being there.
  4. Mistakes happen. And reputations matter.
    I respect the words and reputations of other writers. I also value my own words -- and my reputation. In this business, in this town, reputation is a "make or break" factor. Part of my reputation is built on being Mama Bear. This time, one of my cubs made a big mistake. It's a mistake he's not likely to make again.
Many, many years ago, I did something my mother-in-law thought was wrong. She told me how she felt, and why she felt that way. She also told me she would never mention it again.

She never mentioned it again. Lesson learned.

Friday, September 4, 2009

Friday Fun: Typer Shark

Finally! A game I can do!!!! Welcome to Typer Shark.

(I knew typing skills would eventually come in handy. You know, for something other than earning a living ...)

Enjoy the long holiday weekend! I'll be back -- hopefully with the sestina you helped create -- on Tuesday.

I really need to stop with the exclamation marks. Really!!!!

Wednesday, September 2, 2009

What a Team!

Wow! Thank you for the great response to yesterday's post. I have more than enough words for two sestinas!

For this first go-round, the winners (drawn from a hat) are, in no particular order:
love
sugar
amazing
indubitably
feet
silence

To give you a feel for how the six words get incorporated into end words for six stanzas, and then included in the final stanza, check out Sestina, by Elizabeth Bishop. There's also a rhythmic structure, but I'm not going to worry about that for my first time with this poetic form. I will post the poem as soon as I have it written. Don't expect it today.

While you're waiting -- with baited breath, I'm sure -- you can play along. Try a sestina, or:
  • Choose one of the words, and write for 90 seconds about it. Don't think. Just write.
  • Choose one of the words, and draw it. (What would silence look like?) Click on silence ... it links to a gorgeous, short poem.
  • Choose two of the words, and include them in a haiku. (3 lines, 5-7-5 syllables)
Isn't it fascinating how structure plays such a vital part in creativity? And people think it's all messy desks, and flashes of inspiration. Not so much ...

Tuesday, September 1, 2009

Creativity Exercise: I Need Words

At our last writers' workshop, Linda shared a great sestina she had written -- it's a structure poem, built on six words. As you know, I love structure, but a woman can only write so many haikus.

Help me get going on a sestina. Post one word. If we have six posts at the end of the day, I'll have the start of my sestina! If we have more than six posts/words, I'll write them all down, and pull six out of a hat. Honest to Pete. And I'm very trustworthy.

Keep in mind, I have to use each word as an end word in six six-line stanzas, then use two of the words per line in my final three-line stanza. Confused? So am I. It will all be clear once it's done.

Ready, set ... give me a word!